AlGazzali Songs

Towards the year 661, as It corresponds to the death of Ali, the fourth Caliph Orthodox, the Arabs were running only a mantra based on the rhythmic values of spoken language; of this mantra knew two forms of rhythm: that was due to the passage of the camel and the horses trot. In addition to the songs of caravan, the pre-Islamic Arabs also possessed funeral Elegies, Warrior chants, songs of travel and amorous songs. The Arabic music accompanied from the cradle to the grave; for every moment of her life was a special music: in the pleasure in pain, at work, in the game in the heat of battle and religious devotion. Among 661, establishment of the Umayyad Caliphate in Damascus and 833, era of the Abbasid dynasty, Arabic music evolves through the influence of Greek and Persian; Learn how to get rid of the rhythm imposed by the spoken language and acquires the sense of the actual musical measure. Ziryab, great musician and theoretician who settles in AlAndalus, manages to Cordoba and Granada are equivocating in centres musical art Arabic giving Western Arabic music its own character, in part, opposed the school of Baghdad since, while Baghdad is based on the technique, in the Ziryab is based on the psycho physiological than action exerts music as therapy. It was during his stay in Spain when the Arabs led to perfection the musical art, setting the characteristics of the larger cantatas, calls still NaubGhernata (Naubas de Granada). While the music and musical instruments were legally proscribed, the spiritual effects of the music were clearly recognized. Sufism is the cause that the music acquires respectability, but who gives the final accolade, is the intellectual and theologian of the 12th AlGazzali century, who wrote: Ecstasy means the State that comes when hear music, establishing rules for the concert provide the auditor a spiritual benefit: 1) a while well chosen 2) a place well chosen 3) a suitable Auditorium The practical influence of Arabic art looks towards where the gaze is directed East.